Forms - Types of Poetry
Blank verse. Blank verse is poetry written with a precise meter—almost always iambic pentameter—that does not rhyme.
Rhymed poetry. In contrast to blank verse, rhymed poems rhyme by definition, although their scheme varies.
Free verse. Free verse poetry is poetry that lacks a consistent rhyme scheme, metrical pattern, or musical form. L
Epics. An epic poem is a lengthy, narrative work of poetry. These long poems typically detail extraordinary feats and adventures of characters from a distant past.
Narrative poetry. Similar to an epic, a narrative poem tells a story. Henry Wadsworth Longfellow’s “The Midnight Ride of Paul Revere” and Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” exemplify this form.
Haiku. A haiku is a three-line poetic form originating in Japan. The first line has five syllables, the second line has seven syllables, and the third line again has five syllables.
Pastoral poetry. A pastoral poem is one that concerns the natural world, rural life, and landscapes. These poems have persevered from Ancient Greece (in the poetry of Hesiod) to Ancient Rome (Virgil) to the present day (Gary Snyder).
Sonnet. A sonnet is a 14 line poem, typically (but not exclusively) concerning the topic of love. Sonnets contain internal rhymes within their 14 lines; the exact rhyme scheme depends on the style of a sonnet.
Elegies. An elegy is a poem that reflects upon death or loss. Traditionally, it contains themes of mourning, loss, and reflection. However, it can also explore themes of redemption and consolation.
Ode. Much like an elegy, an ode is a tribute to its subject, although the subject need not be dead—or even sentient, as in John Keats’ “Ode on a Grecian Urn”.
Limerick. A limerick is a five-line poem that consists of a single stanza, an AABBA rhyme scheme, and whose subject is a short, pithy tale or description.
Lyric poetry. Lyric poetry refers to the broad category of poetry that concerns feelings and emotion. This distinguishes it from two other poetic categories: epic and dramatic.
Ballad. A ballad (or ballade) is a form of narrative verse that can be either poetic or musical. It typically follows a pattern of rhymed quatrains. From John Keats to Samuel Taylor Coleridge to Bob Dylan, it represents a melodious form of storytelling.
Soliloquy. A soliloquy is a monologue in which a character speaks to him or herself, expressing inner thoughts that an audience might not otherwise know. Soliloquies are not definitionally poems, although they often can be—most famously in the plays of William Shakespeare.
Villanelle. A nineteen-line poem consisting of five tercets and a quatrain, with a highly specified internal rhyme scheme. Originally a variation on a pastoral, the villanelle has evolved to describe obsessions and other intense subject matters, as exemplified by Dylan Thomas, author of villanelles like “Do Not Go Gentle Into That Good Night.”
SONNET - usually linked to the theme of love
When I consider how my life is spent, by John Milton - analysis - this poem is an introspective reflection on his blindness and faith,being a protestant.
"When I have Fears That I May Cease to be", by John Keats - analysis - is an Elizabethan (a.k.a. Shakespearean) sonnet written in 1818, although it wasn't published until 1848, which was twenty-seven years after the poet's death. A lyric poem (in the sense that it expresses personal or intimate feelings), the poem centers on a speaker's anxiety about dying before being able to achieve his or her aspirations as a poet. What makes the poem especially tragic and moving is that Keats died of tuberculosis only three years after writing it, at the young age of 25.
GHAZAL - is an intimate and short lyric form of verse from the Middle East and South Asia. The form thrives in such languages as Arabic, Persian, Urdu, and now English. Like the Western ode, these poems are often addressed to a love object. Influenced by ecstatic Sufi Islam, the ghazal’s subject matter concerns desire for another person and, figuratively, love for the Divine.
Like ghazalists, John Donne would ostensibly write about love for a woman but also shadow forth devotion to God.
In modern-day Britain and America, ghazals have become a popular form. Here, they sometimes touch on a migrant’s yearning for home and belonging.
Sound, rhyme, repetition, and rhythm come to the fore in this form. This makes it unsurprising that many ghazals have been turned into songs.
A Ghazal is a poem that is made up like an odd numbered chain of couplets, where each couplet is an independent poem. It should be natural to put a comma at the end of the first line. The Ghazal has a refrain of one to three words that repeat, and an inline rhyme that preceedes the refrain. Lines 1 and 2, then every second line, has this refrain and inline rhyme, and the last couplet should refer to the authors pen-name... The rhyming scheme is AA bA cA dA eA etc. (vide http://www.shadowpoetry.com/resources/wip/ghazal.html )
RUBAIYAT - arab poetry - https://en.wikipedia.org/wiki/Rubaiyat_of_Omar_Khayyam
Examples of TANKA japanese poems - https://examples.yourdictionary.com/examples-of-tanka-poetry.html
Examples of HAIKU japanese poems - https://examples.yourdictionary.com/examples-of-haiku-poems.html
As for the french «RONDEAU» - https://fr.wikipedia.org/wiki/Rondeau_(po%C3%A9sie), translated into portuguese by «Redondilha», there are some famous nes by Camões «Descalça vai para a fonte», «Aquela cativa que me tem cativo» - https://recursos.portoeditora.pt/recurso?id=10418431